First Contact.  We'll talk about the timings, the nature of the project and just check that I'll be able to support you from start to finish, whatever scale that might be. We can work via video conference, e-mail or face to face.

Spotting.  The next step will be a spotting session and comb through the specific audio events in your work. Doing this in the same location is best but we can easily do this remotely. 

Composition and Edits.  Audio editing, pre mixes and the dubbing mix will come after the picture is locked. Music may be mostly complete by that stage, especially if time is short. 

Deliverables.  All that's left is supplying the various mixes and stems. These can come in many forms but coordinated between me, the broadcaster, post-production team etc. so you don't have to worry.

Initial Brief.  Next we'll talk about the nature and style of the project. I'll have a bunch of questions for you to make sure I really understand your messages and requirements.

Initial pitches.  Around this stage I'll offer you ideas based on our conversations to make sure the first sounds are as close as possible to what you want.  But it's normal to go around a few times to get it just right.

Approval.  Apart from the final tweaks we're getting near to completion. You'll have your own bespoke sound and music that we'll refine until your final approval.  

Every Project is Different. It won't necessarily go exactly like this but at the core of the process is frequent communication, a creative mindset, and constant learning.